Good Riddance/ Damaged Goods

A collaboration between Sarah Elizabeth Harford and Garrett Clough.

This installation questions identity versus uniformity by contextualizing materials within the private and public spaces within our everyday realms.

A face becoming featureless while you use it to erase an image of a home during a reading of a will.

High heel eraser rubber forms vibrating upon a hybrid bed-table.

Mistakes are essential to individuality while violence is inherent to perfection.

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Sarah E. Harford, Damaged Goods, eraser rubber material, 2016.
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Garrett Clough, Good Riddance,installation view, eraser rubber material, 2016.
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Garrett Clough, Good Riddance, installation view, eraser rubber material, 2016.